Although over the years I have had the fortune to hear all of Shakespeare’s plays performed (including the disputed ones), until now I had never witnessed a coherent, let alone credible,Cymbeline. Lurching back and forth from comedy to tragedy to history to pastorale, it is generally classed as one of the late-period “Romances” with such other problem children as A Winter’s Tale orPericles. Like them, it has in recent years become a popular challenge for adventurous directors (another production comes to the Broad Stage in Santa Monica in December).
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For more information about a wonderful romantic comedy please visit What Would Meg Do?
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